Although Joanna Newsom's Appalachian-meets- avant-gardetake on folkmusic is her most celebrated work, her range is even more inclusive than her solo career suggests: the classically trained harpist adds a decidedly different, textural sound to Nervous Cop, the noise rock trio that also features Deerhoof's Greg Saunier and Hella's Zach Hill, and she also plays keyboards for the Pleased, another San Francisco-area band more akin to Blondieor Televisionthan her other projects. Newsom's family and hometown of Nevada City, CA, were both musically rich: her mother trained to be a concert pianist, her father is a guitarist, and her brother and sister play the drums and cello, respectively; meanwhile, the Newsoms also counted composer/pianist Terry Rileyas a neighbor, along with Howard Hersh and W. Jay Sydeman. Joanna Newsom (born January 18, 1982) started taking piano lessons at a very early age and played for a couple of years, but switched to the harp at seven. Her approach to the Celtic harp, from the percussive aspects of her playing to her chord changes, was also influenced by West African and Venezuelan harp music, which she began studying at a folk music camp she attended in her early teens.
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We sailed away on a winter's day
with fate as malleable as clay;
but ships are fallible, I say,
and the nautical, like all things, fades
And I can recall our caravel:
a little wicker beetle shell
with four fine maste and lateen sails,
its bearings on Cair Paravel
O my love,
O it was a funny little thing
to be the ones to've seen.
The sight of briges and balloons
makes calm canaries irritable;
they caw and claw all afternoon:
"Catenaries and dirigibles
brace and buoy the living-room --
a loom of metal, warp - woof - wimble."
And a thimblesworth of milky moon
can touch hearts larger than a thimble.
O my love,
O is was a funny little thing
to be the ones to've seen